Having finished Solus Jesus: A Theology of Resistance I found myself feeling massively encouraged about the future of post-Evangelical Christianity in the United States. Ken Wilson and Emily Swan have written a book which focuses far more on how to move forward than it does on what was wrong with the way "we used to think about things". Not that there isn't anything wrong with doing the latter (critique—prophetic or otherwise—is important), but it is just as important to start actually going somewhere once we decide to leave behind what we have found to be broken.
For many ex-Evangelicals, the process of breaking ties with American White Evangelicalism is two-fold: there is the breaking away from and also the clinging to. The "breaking away from" part is pretty straight forward and much discussed these days. White Evangelicalism in the United States has (despite the heroic efforts of many outstanding Christians) aligned itself with forces of authoritarianism, racism, and exclusion, forces that (to borrow from this book's observations) align more often with oppression rather than with the oppressed. All this is well documented and properly discussed. But it is never enough to know that you are not part of a thing, and many of us who have left Evangelicalism remain deeply committed to Jesus and his Way. The first great joy of Solus Jesus for me is that it proposes a vision of what next might look like for us—more than being a book which calls us to leave or fix the broken thing, it is a vision for what is (and I will say always was) better.
This is a book I have been looking forward to since I first heard that Ken Wilson and Emily Swan, the co-pastors of Blue Ocean Faith Ann Arbor, were working on it. I have already done some writing on how the concept of Solus Jesus has been of significant benefit to my theology and life as a whole, so it should not be surprising to hear that I was thrilled. There is a LOT going on in this book. It certainly did not disappoint, but it did surprise me—in a remarkably encouraging way.
When I sat down to read Solus Jesus: A Theology of Resistance, I was expecting an extended explanation and defense of what Blue Ocean Faith people mean when they talk about the concept. As someone who has been hanging around the fringes of the Blue Ocean Faith community (and cheering it on) for a while now, I was already familiar with the idea in broad terms. Essentially Solus Jesus is a riff on, and reaction to, the reformation credo "Sola Scriptura". Inspired by Phyllis Tickle's suggestion that the Church, guided by the Holy Spirit, will begin to work in a fresh paradigm every five hundred years or so, Solus Jesus recommends a decentering of the Bible as a source of certainty and instead placing our confidence in the person of Jesus Christ. Ken Wilson and Emily Swan are both post-Evangelicals who were put through the ringer by the Evangelical "machine" over the issue of full LGBTQ+ inclusion (Ken Wilson tells the story of this in his previous book A Letter to My Congregation). It was probably for that reason, as well as the general timeliness of the subject, that I expected this book to be that defense and explanation.
It turns out that the vision Swan and Wilson had for their book was much bigger than mine. While there is some defense of the concept (I found Chapter 4: In Defense of Experience—Wilson and Chapter 5: The age of the Spirit—Swan particularly helpful here) the greater portion of the book is devoted to a theological and practical working out of what Solus Jesus can look like in the contemporary world. In essence, the authors delivered to my expectation in Part 1 (Solus Jesus) of the book, and then went well beyond, bringing the titular concept into conversation with Girardian scapegoat theory to recommend a more developed and ambitious theology in Part 2 (A Theology of Resistance), and then working though some of what an application of this theology might look like if implemented by the contemporary Church in Part 3 (A New Way Forward). While all three cohere nicely and the chapters all build effectively on one another, each part really could have been its own work. In fact, the only critique I can think of for this book is that I would have really enjoyed a bit more of each section, so maybe a trilogy would have worked well.
Both Swan and Wilson have engaging and complementary writing styles and they are both up-front with their backgrounds and perspectives. As a result, Solus Jesus is both accessible on a popular level and "challenging and thought provoking" as a book of theology. The co-authorship takes the form of independently written chapters with Wilson and Swan each writing from their respective strengths.
In terms of the actual ideas presented, Solus Jesus represents a serious candidate for a Girardian post-evangelical (and possibly renewed mainline Protestant) theology. Taking the title to represent the two major themes of the book in conversation: First Solus Jesus as a re-centering of Jesus and de-centering of the Bible-as-source-of-certainty in the life of the Christain, then A Theology of Resistance built on the foundation of Solus Jesus and complimented by Girardian mimetic and scapegoat theory. In both cases, Swan and Wilson come across far more as offering, than as arguing, their ideas.
The Solus Jesus thesis is grounded, not in a rejection of the Bible as such, but in a rejection of the Bible as a source of certainty, first, because certainty isn't turning out to be a realistic demand, and second because the Bible itself points more to Jesus of Nazareth than to its self as a source for confidence. While the book does lay out a case for this, it strikes me that Wilson and Swan are writing this book at a time when the evangelical (and post-evangelical) case against rigid understandings of Biblical authority and infallibility have already been made (Pete Enns' The Sin of Certianty is both referenced and relevant here). Swan and Wilson are, I suspect, largely done with attempting to justify their Christianity to the Evangelical machine and have moved on to offer their insights to those who are already searching for something more.
So, too, with their Theology of Resistance. Swan and Wilson waste almost no time attacking or critiquing existing Evangelical theologies of ethics, politics, and atonement beyond sharing a few of their own helpful stories of times and ways in which those theologies came up short for them in the past. Instead, the authors work to interpret much of the (particularly Western) Church's crisis of being and failure through the lens of Girardian mimetic and scapegoat mechanics. While I don't find Girard to provide any sort of perfect, comprehensive model for human behavior or a theology of the atonement (nor do Swan and Wilson claim that he does), I was impressed with how well the model fit both the atonement and as an explanation for the repeated failure of the Church to take the side of justice as it has interacted with an unjust society throughout history. In line with the aphorism "all models are wrong, but some are useful", Solus Jesus: A Theology of Resistance demonstrates clearly that Girard's is a useful model in understanding God's actions in the world and through the church.
Ultimately I found Solus Jeusus: A Theology of Resistance both satisfying and challenging in all of the best ways, and I sincerely hope that it will have a place in determining the direction that post-evangelicalism will take at this juncture in history—it certainly deserves to.
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Saturday, July 28, 2018
Tuesday, July 17, 2018
"God and Hamilton" is a sign that Progressive Christianity is Maturing as a Movement.
The two easiest sorts of book to review are those which are very bad and those which are very good. God and Hamilton: Spiritual Themes from the Life of Alexander Hamilton & the Broadway Musical he Inspired by Kevin Cloud doesn't really fall into either of those two categories. While I don't have any significant substantive critique to basic content of the book (I pretty much agree with 95% or more of what Cloud has to say) I also don't have a great deal to praise in the "This new idea really blew me away—I am going to be chewing on it for months" sort of vein. Instead, what really stood out to me about this book is what I think it indicates about the development and place of "Progressive American Christianity"*; if I am correct then this little book may well be the harbinger of a new phase in U.S. Christianity.
What will strike any long time Christian reader of God and Hamilton is the familiar ordinariness of the book. Cloud takes twelve major themes of Christian spirituality (grace, shame, faith, initiative, the outsider, sinner-and-sainthood, equality, forgiveness, despair, surrender, death, and redemption) and, in one chapter each, discusses how those themes are treated in Lin Manuel Miranda's musical Hamilton as well as the real eponymous historical figure as represented by Ron Chernow in the biography which inspired it. Each chapter follows a straightforward and effective formula: first a discussion of the theme in the life of Alexander Hamilton and/or Miranda's musical, then an exploration of the same theme in the tradition of Christian spirituality (most often grounded in passages from Psalms and the New Testament, anecdotes from Cloud's own life experience, and citations from a variety of theologians and contemporary spiritual writers) and finally a conclusion, bringing the two together. The formula is effective and Cloud largely succeeds in demonstrating and briefly discussing the importance and meaning of the themes he has selected. In essence God and Hamilton effectively recapitulates the "God and ________" formula which sold so very well in Christian book stores throughout the 90's and early 2000's.
Where Cloud's work differs from this sub-genre of gen-X American pop-Christianity, isn't his methodology or his subject matter; it is in his sensibility. While the formula may well be the same, the actual form of Christianity—particularly the understanding of "God"—I found in God and Hamilton is almost entirely updated (for lack of a better term). As a committed Christian and Anabaptist post-Evangelical (you can read all about my own theology and spirituality HERE if that background will help to contextualize this review), reading God and Hamilton was an almost surreal experience in that it brought together the emotionally discordant experience of the pop-Culture evangelical formula of my youth, with the ex-Evangelical theology of my present—a bit like eating a new food with a good taste but an off-putting texture. Cloud has filled the books with quotes and citations from the recent "college" of thinkers and writers most referenced in "progressive Christian" circles: Wright, Bueggemann, Buechner, Voscamp, and Vanier all make appearances in the text. Further, Cloud doesn't shy away from discussing on anti-LGBTQ+ discrimination, gender inequality, or U.S. historical and structural racism (as well as the ways in which the Church in complicit in the history and present manifestation of all of these sins).
Ultimately God and Hamilton is a strange book. It doesn't argue for the religious sensibilities of contemporary progressive Christianity, it simply assumes them while making the argument that those Christian spiritual themes can be profitably discovered and explored in Miranda's musical and Chernow's biography of Alexander Hamilton. For this reason it strikes me as a second generation work. If the first generation of a movement's writings are concerned with defining and defending the movement, the second generation will be marked by writings which are concerned more with exploring and applying the tenets of the movement (without yet having read it, I wonder whether Rachel Held-Evans' Inspired might not be another example of this development). As a result, God and Hamilton will likely hold little interest for those who are still exploring and justifying progressive or post-Evangelical theology. Rather I suspect that this book will find its greatest appreciation among those are fans of the Musical and are curious to think a little more about a more generous Christian spirituality than what they find among American White Evangelicals and among those progressive type Christian who are looking for a way to explore the application of their theology and would find it helpful to have a pop-culture reference point in doing so.
*I am using Progressive American Christianity for lack of a better term. If you have a better one for the thing that has happened in Western Christianity predominantly among post-Evangelicals following on the heels of the Emergent Christian movement, feel free to substitute it.
Disclosure of Material Connection: I received this book free from the author and/or publisher through the Speakeasy blogging book review network. I was not required to write a positive review. The opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR,Part 255.
What will strike any long time Christian reader of God and Hamilton is the familiar ordinariness of the book. Cloud takes twelve major themes of Christian spirituality (grace, shame, faith, initiative, the outsider, sinner-and-sainthood, equality, forgiveness, despair, surrender, death, and redemption) and, in one chapter each, discusses how those themes are treated in Lin Manuel Miranda's musical Hamilton as well as the real eponymous historical figure as represented by Ron Chernow in the biography which inspired it. Each chapter follows a straightforward and effective formula: first a discussion of the theme in the life of Alexander Hamilton and/or Miranda's musical, then an exploration of the same theme in the tradition of Christian spirituality (most often grounded in passages from Psalms and the New Testament, anecdotes from Cloud's own life experience, and citations from a variety of theologians and contemporary spiritual writers) and finally a conclusion, bringing the two together. The formula is effective and Cloud largely succeeds in demonstrating and briefly discussing the importance and meaning of the themes he has selected. In essence God and Hamilton effectively recapitulates the "God and ________" formula which sold so very well in Christian book stores throughout the 90's and early 2000's.
Where Cloud's work differs from this sub-genre of gen-X American pop-Christianity, isn't his methodology or his subject matter; it is in his sensibility. While the formula may well be the same, the actual form of Christianity—particularly the understanding of "God"—I found in God and Hamilton is almost entirely updated (for lack of a better term). As a committed Christian and Anabaptist post-Evangelical (you can read all about my own theology and spirituality HERE if that background will help to contextualize this review), reading God and Hamilton was an almost surreal experience in that it brought together the emotionally discordant experience of the pop-Culture evangelical formula of my youth, with the ex-Evangelical theology of my present—a bit like eating a new food with a good taste but an off-putting texture. Cloud has filled the books with quotes and citations from the recent "college" of thinkers and writers most referenced in "progressive Christian" circles: Wright, Bueggemann, Buechner, Voscamp, and Vanier all make appearances in the text. Further, Cloud doesn't shy away from discussing on anti-LGBTQ+ discrimination, gender inequality, or U.S. historical and structural racism (as well as the ways in which the Church in complicit in the history and present manifestation of all of these sins).
Ultimately God and Hamilton is a strange book. It doesn't argue for the religious sensibilities of contemporary progressive Christianity, it simply assumes them while making the argument that those Christian spiritual themes can be profitably discovered and explored in Miranda's musical and Chernow's biography of Alexander Hamilton. For this reason it strikes me as a second generation work. If the first generation of a movement's writings are concerned with defining and defending the movement, the second generation will be marked by writings which are concerned more with exploring and applying the tenets of the movement (without yet having read it, I wonder whether Rachel Held-Evans' Inspired might not be another example of this development). As a result, God and Hamilton will likely hold little interest for those who are still exploring and justifying progressive or post-Evangelical theology. Rather I suspect that this book will find its greatest appreciation among those are fans of the Musical and are curious to think a little more about a more generous Christian spirituality than what they find among American White Evangelicals and among those progressive type Christian who are looking for a way to explore the application of their theology and would find it helpful to have a pop-culture reference point in doing so.
*I am using Progressive American Christianity for lack of a better term. If you have a better one for the thing that has happened in Western Christianity predominantly among post-Evangelicals following on the heels of the Emergent Christian movement, feel free to substitute it.
Disclosure of Material Connection: I received this book free from the author and/or publisher through the Speakeasy blogging book review network. I was not required to write a positive review. The opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR,Part 255.
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